Thursday, June 4, 2026

Autism Answer: Driving the Boys

 

 

My sons enjoying a moment out of the car during a road trip

When I think back, when I remember, we are in the car. Me and my four sons, on our way.

It is being in the car that is the thing.

They are mine when we are in the car.

Oh, I know, they are not mine. They belong to themselves, these small boys fighting over who is the red ranger, spilling sports drinks on the seats, singing their hearts out to Higher by Creed.

Did I say small boys? They were, I remember.

Yet I can also look back and they are teenagers of various stages. When we are just us in the car, on our way places but not yet arrived, they are still mine. Okay, they belong to themselves, I know. They tell me clearly, with attitudes that suit each one individually but say the same: drive us, but let us go.

Oh, my heart. Did I say teenagers? They were, I swear it.

But now, look at these men in my car. My sons. We are on our way after having picked up my youngest from the airport. They are visiting me from their own homes around the world; some have spouses and children waiting for us to arrive. I stole this time for myself. Only me and them alone in the car. We are singing our hearts out to Mariana’s Trench, Three Days Grace, remembering live shows I took them to. We are singing our hearts out and I am tempted never to arrive.

The truth: I have arrived when we are us in the car.

Yet I must let them go so they, too, can arrive.

How could I deny them, these men who are my heart, who influence the colour of my days, the bounce in my step, the tightness in my chest, the direction of my thoughts, how could I deny them this feeling of having arrived?

This feeling that is mine only when I am denying it to them. This feeling that is mine when they are alone with me and I am sharing them with no one else.

I need to know they know this feeling.

If they recognize this feeling of home – for that is how I feel when it is me and my four sons alone in a car: home – I can breathe easily, knowing they have access to this perfect feeling.

When I think back, when I remember, we are in the car. Me and my four sons, on our way.

When I open my eyes, when I am now, I see them in their cars, on their way.

Driving the boys gave me the gift of being with them, taking them where they needed to go.

Arriving was never the point.

Driving the boys until they were able to drive themselves, that was the point.

We did it often, we did it well, we did it while singing out hearts out.

We do it still, when we can.

An arrival worth revisiting.

 # 

 

Hugs, smiles, and love!

Wednesday, May 6, 2026

Film Review: Grace - A Short Film That Explores Agency and Disability

 This review was originally written for and published at DisabledWorld.com

 

 

Grace, film capture: actors Fiadhnait Canning (right) and Luca Malocco Mulville (left)


My soulmate and I crawled into our big bed, the back elevated to perfect film watching position, and snuggled toward each other*. Within moments we were swept into Grace - a short film that felt effortlessly beautiful and moving.

The operative word there is "felt".

There is nothing effortless about telling a story well, casting a film perfectly, lighting scenes flawlessly, meaningfully inviting an audience along on an important journey that entertains while expanding empathy.

But by grace and goodness! This short film did all that and more for me.

Grace, written and directed by Anna Rodgers, is the eponymous story of a young woman testing the limits of her autonomy and expanding its edges. Grace has Down Syndrome and stays in an assisted living home, though the opening scene is of Grace sitting at the table in her family home. Her infant niece is placed in a high chair near her and while the two of them quietly spend time in each other's company, Grace's sister and mother are busily planning the sister's wedding in the background. Due to a mastery of acting, editing, and dialogue we quickly understand that Grace has a boyfriend, is thinking of long term life with him, and hoping to raise a family - and that this is a complication for those who love her.

The entire film unfolds with such beautiful brilliance, quietly inviting audiences into these moments. I hardly knew where my space ended and Grace's began.

Grace, played with subtle perfection by actress Fiadhnait Canning, is the sort of hero I crave in my stories. She is clear about what she wants, thoughtful toward people along the way, and courageous enough to insist on a life that is hers without being unreasonably self-centered.

Everyone in this film is beautiful. I sometimes tease media for all the beautiful people, but this is a film that gets it right. Yes, everyone is attractively lit and has an appearance that is lovely to look at, but more than that, it is the beauty of their character we are watching. The crux of the matter for each person in Grace's orbit - her carers, her boyfriend, her mother - is they care about her and feel a sense of obligation because of it. These people are all invested, they all care, but it is inside our caring we most struggle to agree on actions.

While watching this twenty-five minute film I hardly spoke. For me, this is unusual. My poor soulmate almost always has to endure the joy I get in treating all media as an interactive activity, my desire to follow a thought or add my two cents. To say, "this reminds me of the time..." or "that's what I was saying yesterday..." or "can you imagine? What would you do if..."

But while watching Grace's story unfold, I was mesmerized, drawn in.

It was only later all those thoughts came tumbling out.

A "this reminds me of the time..." thought I shared with my love: there was a lesbian couple with Down Syndrome who were regulars at the donut shop I worked at when I was a teen (1990). They were comfortable displaying their love in public, taking turns buying each other coffee, holding hands and giving each other little kisses, and they told me they liked the home they lived in but not the rules. They could not sleep in the same room and were considering getting their own apartment, but were consistently being told they could not.

A "that's like what I was saying yesterday..." moment sparked for me during a scene where residents are taking part in a class where the speaker asks them to practice saying no. Encouraged to role play, they're given a scenario where they are asked out on a date and they do not want to go. Grace and a male resident play the part with fun and flair. The man asks Grace out, she says no, he asks again, she again says no - no anger or apology, and we are reminded it is a skill worth practicing. Saying no. No explanation needed, just a knowledge that it is your right and responsibility.

I loved this scene so much! For people with disabilities this is such a valuable skill to both learn and practice. They are often at the mercy of carers, told they must comply for their own good and safety, and are not often enough given space to practice the skill of knowing when they aren't safer or expected to comply, or how to handle those moments.

Yet, it's true that we all need this space, for learning and practicing. For knowing how to comfortably and confidently say no. For knowing when complying is for our good and/or our safety and for knowing when it is not.

A "can you imagine? What would you do if..." moment for me was toward the end, when Grace is in the place of drastic decision making - I so badly don't want to spoil anything so suffice it to say, she and everyone who cares about her find themselves in a life-altering situation that needs to be addressed, yet all the players have different strongly held opinions, and every opinion is expressed with perceptive insight. What would I do? If I was Grace, if I was Grace's mom, if I was Grace's boyfriend? How would I step up? I don't have one clear answer, though I know which way I lean.

In my opinion this is not only a beautiful film, wonderfully executed, but a necessary one.

On a personal note: My mom raised eight of us kids. My four adopted brothers were on the autism spectrum, and she fought for them to be seen the way I feel the filmmakers see Grace: as someone with capabilities, requiring somewhat personalized teaching, and deserving of autonomy.

When I was growing up, mom was always fighting that fight. It was messy, heartbreaking, but ultimately victorious.

For me, watching this film felt like being given the gift of knowing mom's fight was not hers alone, it was known and understood by others.

But this film also felt lovely. Something that was lacking in the extremeness of my mom's fight for my brothers' rights, the loud clashing, the wild highs and lows, when I was growing up.

No, not lacking, simply harder to see.

On another personal note: I needed this. I needed this bit of Grace.

I suspect many of you do, too.

One last thought:

Grace is all of us. She is born into a preexisting system, as she grows people who love her find additional systems of support meant not for her for but for "people like her", she is encouraged to seek some independence and skills but as her adulthood blossoms, as she blossoms, she must navigate the world by deciding who she is, what she wants, which supports to break free from.

It is a powerful time in all our lives. Particularly, that first time.

One we hope to do with Grace.

*It was not lost on me that while my love and I were laying comfortably in our big bed, we were watching Grace fight for her right to lay in one with her boyfriend.

Saturday, February 28, 2026

Autism Answer: A Lifetime of Adapting

 From our New Year edition of The Loop (Follow THIS LINK to read the full edition)

 

 

A Lifetime of Adapting
(also, adopting)

 

                                                             

I am not special, yet I am special. This is true of us all. 

My mom, Lynette Louise (The Brain Broad), steps into the lives of people around the world - via film, book, interviews, speaking engagements, and as a practitioner in our homes - and helps us explore the dynamics existing in this paradox: we can honor our special-ness while learning from others who have experienced it before us. 

Also, we can honor our special-ness while adjusting our behaviors along the way in order to thrive in existing environments. 

She herself has done this more than many. As a child she wanted to become a mom (or a missionary) to save children. As many as possible, at least twelve. She became a mom, but a hysterectomy meant adopting in order to become a mom to so many. Eight of us kids were legally hers, but she also invited others to stay temporarily along the way. Others who needed saving. Eventually she adapted that desire: instead, she wanted to help children, in order to stop seeing them as needing to be saved.

She had careers and businesses, they were successful in her mind so long as they were good for her and us kids. When they weren't, she changed them.

Everything mom chose to do incorporated her special-ness, as well as ours. But, also, we all had to transition and change to make them work in existing environments. 

Mom is now retired from her most recent work as a neurofeedback & BioPlay practitioner in homes around the world, but she still speaks and writes. 

(In fact, she will be speaking at the upcoming YOUniquely YOU women's retreat in Bermuda - April 23-26 2026)

But, she is retired. And this has led my wildly busy (some might say - okay, I might say - inexorably busy) mom to reinvent and rediscover.

As all of us in The Loop know, that has included spending more consistent time with my brother, Dar. Together they have worked creatively on communication and shared some videos with us. 

[follow THIS link to revisit our communication edition of The Loop]

For me, as mom's personal assistant, her retirement has given me reason to transition deeper into my writing self, which in turn has transitioned into diving deeper into my personal self. Who I am, who I want to be now that my children are adults and most of my family lives faraway. 


I am not special. People my age (in our 50s) are similarly engaged. If I narrow it down further, women my age who were stay-at-home moms who now have adult children, we become even more similar. Yet, my journey, my biology, myself is unique. 

As we move into this new year I hope everyone will find the type of courage and beauty I see in this paradox: We are not special, yet we are all special. Our struggles are not unique to us yet we do experience them uniquely. Hence, we have unique insights to share.

This, I think, is why I keep discovering there are places to go when we choose to leave where we are, and those places are prepared to welcome us. 

Sometimes this will mean adapting to a retired lifestyle, or adapting to a home with no small children requiring all encompassing focus; sometimes it will mean adopting new beliefs, adopting new habits, maybe even adopting children. I do not know where you are in your journey, but I do know there are others who have been similarly where you are, where you've been, and where you're going.

I do know transitions and transformations are in your life.

Because they are in all lives. 


Happy new year wonderful friends in The Loop!

I hope you are finding pleasure on your path. 

Hugs, smiles, and love!!

________

Tsara Shelton (X) 

 



Monday, February 23, 2026

Autism Answer: Different By Degrees


 


DANE

feeling like himself in a dress

feeling lovable when feminine

feeling loving while nurturing

feeling envy for the ones born with it

seeking fabrics and surgeries

avoiding past acquaintances

comparing herself to the ones advocating for it

being different by degrees

becoming different by degrees

 

DARLA

feeling like herself when youthful

feeling lovable when vibrant

feeling loving when energetically attentive

feeling envy for the ones not yet grown out of it

seeking moisturizers and surgeries

avoiding reflecting mirrors

comparing herself to the ones budgeting for it

focusing different by degrees

fighting becoming different by degrees

 

DEBBIE

feeling like herself while stimming

feeling lovable when praised

feeling loving while assimilating

feeling envy toward savants

seeking sensory pleasure and protection

avoiding social scenes

comparing herself to siblings

asking for different by degrees

being different by degrees  

 

Different
 by degrees 
_______
Tsara (X.com)

Monday, January 26, 2026

Review of The Pornographer: Irish Novel by John McGahern

 Originally written for my column at SexualDiversity.org


RANDOM: I have not been seeking it out, yet the Universe keeps plopping Irish literature into my hands. I have no follow up point, just thought I'd share that random fact :D 

____ 

The Pornographer by John McGahern is a novel about a writer named Michael. When we meet Michael he's living in a Dublin apartment making decent money as a writer of pornography, visiting his dying aunt regularly in the hospital with gifts of scotch to ease her pain, and going out dancing, hoping to meet women to have sex with.

We are invited along and introduced not only to Michael's attitudes toward this dance between the sexes, but also Josephine. They meet, she agrees to come home with him, they discuss with refreshing honesty their beliefs about what they want and why they want it.

They have sex. Josephine falls in love. Michael does not.

The rest of the story unfolds as each character and their ideas of love, sex, family, and death are brilliantly revealed, explored, and considered.

The diversity of characters and genders in this story, in the hands of this author, allows for an honest consideration of the different ideas and desires between genders, as well as the separate obstacles and expectations experienced by each.

Throughout the novel we are equally gifted with different interpretations, opinions, and actions of each person as individuals.

I love when storytellers give us space and reason to agree with and understand clashing perspectives. John McGahern is one such storyteller. (Amongst Women is another novel by John McGahern that I have read and he does an equally good job in that book.)

The protagonist, Michael, isn't cruel, but he is callous. He is continuously clear with Josephine, telling her he does not love her though he does enjoy sex with her. Meanwhile she feels as though she's in love with him and that he could, were he willing, learn to love her in time. Although she is a little older than Michael, he speaks to her as though she is a student and he is her teacher in all things love and sex. Michael is didactic while Josephine is romantic.

Even though Michael makes it known with clarity he could not love Josephine, his relationship with her continues because, after insisting that according to the calendar they did not need to use a condom (It makes a farce out of it, doesn't it? It's just not natural~Josephine) she becomes pregnant. Michael does not want to be the sort who would abandon her, but he is also unwilling to be a family. There are many revelatory conversations between Michael and Josephine, as well as with other characters who are invited to weigh in, while ideas of what to do are explored. The conversations reveal more than only the complexities of Dublin life in the 1970s, but the complexities of relationships in general.

Throughout the book Michael continues to care for his aunt and his uncle and write pornography; he meets a new woman who is quite independent and wonderful; he discusses life and death with his employer; he gets help and advice from his doctor friend and her wife. The diversity of beliefs in each character is well examined and fantastic to explore.

The story explores sexual behaviors and beliefs, which I expected from a novel called The Pornographer, and does so brilliantly, which I'd hoped for. The differences between the way sex is written in Michael's pornography (yes, we get to read some) is drastically different from the way sex is thought about and experienced in Michael's life. But each, of course, influences the other.

This is a great book, written by an author who is wickedly insightful.

With, perhaps, the greatest ending scene I've ever read in any book.

If you love to explore perspectives, as I do, I recommend The Pornographer.

"By not attending, by thinking any one thing was as worth doing as any other, by sleeping with anyone who would agree, I had been the cause of as much pain and confusion and evil as had I actively set out to do it. I had not attended properly." ~Michael, pg 251 of my copy

Hugs, smiles, and love!!!

Wednesday, December 31, 2025

Autism Answer: Humo(u)r - Laughing Well in the New Year

 

 


 

 

 

Did you eat your meat? 

If YES: you can have pudding. 

If NO: You cannot have any pudding


_________________________



There is nothing funny about not having any pudding if you did not eat your meat, And yet, if I am remembering correctly, the first time I laughed out loud at a joke online, it was that one. 

It’s hilarious!!

Simple, short, and not age restricted. Well, except you have to get the reference, and Pink Floyd is sort of an older person reference. 

Which brings me to the point of this post: I am old. Errrrr…. wait, that’s not supposed to be the point…. What did I come into this room for again? 

Oh, ya! I meant for my point to be this: humour is only funny when you get the joke. Heck, humour isn’t even humour in the United States. There it is something called “humor”. Entirely unique to that part of the world. Well, except that the Internet has made all grammar and spelling and slang and word usage sort of shared? So humour and humor can be known for what they are: different ways to say the same thing.

Which reminds me: This morning I sprayed my mouth with Axe body spray. Now, I talk with an Axe scent. 


Hilarious, right!? (Also, entirely false. I do not speak with either an Axe Scent or an accent. I am a simple girl with coffee breath who talks normal. Accents are from other places.)

These jokes are only funny if you get them. (Not my jokes, those ones are funny inherently. If you don’t get them, try again.) And to “get” a joke you don’t usually have to be smart, you usually have to be in touch with the culture the jokes are commenting on.

If you have not heard Pink Floyd’s THE WALL, or more specifically Another Brick In The Wall Part 2, then a) you are maybe deaf, at which point I can’t help but wonder if you know the song? I’m quite curious about that actually! How popular is popular music in the deaf community? b) you might be young, because it is a song from an album that was released over three decades ago which does not make it any less awesome just less often talked about. If you do not know the song, then you may see the image above and think it is simply instructions someone left on their fridge. Did you eat your meat? No? Then no pudding for you. Fair rule I think, though for my children I may have asked did you eat your protein, since I am not a big meat eater. 

But I digress. Often. My best friend and I call it going on rabbit trails, which we find a cute way to say walking down an entirely different narrative path than originally intended, taking us a bit off the point we were originally trying to make. Or, as I said, digressing.

So, yes. I digress. The point is: If you have not heard Pink Floyd’s Another Brick In The Wall Part 2, specifically the part where we hear “If you don't eat your meat, you can't have any pudding. How can you have any pudding if you don't eat your meat?” then the joke will not be a joke, it will not be funny.  

If you live in a place or time where Axe body spray, and all its comical ads, do not exist then the pun I shared will not be funny. 

This is why comedy, humour, jokes, silliness, are all so gosh darned important. Laughter is healthy, joy is delightful, laughing together with friends and strangers alike is a spectacular way to build community and connections. Brotherhood and bonds. 

But it is vitally valuable to pay attention to what we laugh at, what we “get” and why. 

A blond is lost in the desert, scorching heat beating down on her from above, no water or shade anywhere to be seen. Suddenly, a genie appears. “I can grant you one wish,” he booms with authority. “Oh, thank goodness!” The blond is overwhelmed with relief. “Can I have a car door?” She asks. “Um, okay,” the genie says, confused but granting the wish as is his nature. Yet, he can’t help following up with a question, “Of all the things you could wish for, why a car door?” “It’s obvious, silly!” She explains, as if to a child, “It’s so hot out here I wanted to open the car window.” 


This is mostly funny. It helps if you "get" it, if you know there is a dumb blond stereotype, but it is also kind of funny if you don’t know about the stereotype as it can easily be inferred. I think, personally, it’s okay to laugh at these jokes because blonds are too pretty and need to be taken down a peg or two. Errrr…. wait, did I say that out loud? I mean, because it is common knowledge that blonds are not dumb. But, I suspect, it wasn’t always common knowledge. I suspect blonds were seen as sex kittens and man eaters and more, which led to jokes built to frame them in an unattractive light. 

There is so much power in paying attention to what we laugh about, to what our peers laugh about, and to what our culture laughs about. So much power. This does not mean we stifle or attack people and their jokes, no. This means we are aware of, conversational about, and intentional in the comedic space. Don’t laugh if you don’t find it funny. Talk about why. Don’t give too much attention to the stuff that feels cruel or dangerous, though do be willing to share the hows and whys of your feelings. 

When I was fourteen my boyfriend used to say, “I wouldn’t kick her out of bed,” when attractive girls walked by. Some of his friends would laugh, as would I. Some of his friends did not laugh, and even called him out. “Your girlfriend is right there, man,” a friend of his once said. “It’s okay,” I said joyfully, “it’s funny!” “She’s cool, she’s not a prude,” my boyfriend would say. And I would be proud. 

I was proud because he thought I was cool. But also because I’d hid my real feelings well. It HAD hurt me, every freaking time, and I was embarrassed about that. Embarrassed that I was such a weak needy girl that my feelings would be hurt by a joke.

Of course now I see it differently. It had been a cruel joke. Mainly because he would have hit me had I said something similar about a guy walking by. He would not have thought that was funny. But after he made the joke a few times and I did not ask him not to, well, it wasn’t really cruel anymore, was it? I told him I thought it was funny. 

Please don’t misunderstand me: there are many relationships where such a comment would be fine. Though I will go out on a limb and wager that most girlfriends laughing and saying they don’t mind are lying, I will also admit that lots of girlfriends don’t mind. Lots also want to invite her into bed. Lots of boyfriends don’t mind when their girlfriend makes such jokes, and they would like to invite other guys into their bed. Or hear about her sleeping with him behind his back, which is a kink for many people. Or simply girlfriends and boyfriends who have no feelings about the joke and think of it as only a joke. The point is: I had a boyfriend when I was fourteen. 

Additional point: We are living in a time when we have easier than ever access to cultures different from our own, to diverse comedy streams and memes, to the funny bones of previously elusive or silenced communities. How wonderful! Let's learn what others are laughing about and why. 

Humour is a great place for recognizing who we are as an individual, a family, a country, a world. Seriously, it is. Seriously, it is the most fun way to get serious. 

However, we must be careful not to censor humour so much, but instead investigate it. If you are inclined, laugh freely and loudly and with great guffaws! 

But also notice. 

Why is it funny? Should it be funny?

Just another brick isn’t such a big deal. But all the bricks? Eventually our bricks build, well, a wall. 

What I’m saying is: go ahead and laugh, but take the time to notice and reflect. Wonder what it means to find something funny. Do the work. 

After all, if you don’t eat your meat, you can’t have any pudding.

Happy New Year, friends!!

Laugh well!!!

Hugs, smiles, and love!!

(@TsaraShelton

Monday, November 17, 2025

Autism Answer: Your Story

 

Morning view



You were born into your circumstances, remember that? Slowly unfolding to become yourself, guided by the spaces presenting themselves to you. Spaces that shifted as home, family, and expectations evolved around you.

It was almost never up to you, where you went or how. So small and without any control, you were moved this way and that, told what was what, expected to find your way to fit in. Also to stand out.

Sure, you were quickly thinking beyond the things people said, feeling emotions beyond easy comprehension. You asked your own questions, were met with mixed reactions. It’s sad when I think of how often you were cruelly shut down or insidiously (even if unintentionally) misled. I’m sorry about that for you.

But the freedom, too! Especially in your mind. Especially when you think of the ideas you’d explore, alone in yourself, tangled up in there with all the stories, rules, expectations, and myths given to you by others. The freedom to move ideas this way and that, consider them from every angle, overlaid with the ever growing roster of experience you were racking up. Freedom to imagine and think about their things your way. 

Yes. Despite the freedom there was nothing you could do about the filtering in of expectations on you from others: what you should or shouldn’t be doing. And then that other level, what “someone like you” should or shouldn’t be doing.

Your questions and ideas were encouraged by some, punished by others. Ya, it was messy, and the freedom was still only of imagination and mind, or spiritual, or whatever, and it was never without the influence of outside of you, but it was there. It was there!

Do you think it was that freedom from inside yourself that finally spilled outward? The freedom of thinking, of exploring your own ideas, that pushed you to seek your proper place, physically? I think it must have been. Or at least, it contributed.

Where do you physically go when you know you didn’t physically choose where you are? Your first choice: somewhere else.  

Speaking of physical, those were the first real years of seeking to understand your sexual self, weren’t they? How crazy it is, that ride! It’s almost like losing the freedom of your mind while getting some freedom of body. The hormones have ideas of their own but don’t speak our language or obey our rules, so we’re desperately telling the story of why we did what we did or they did what they did or who they think I should be or who I think I am and who I want to be, trying to catch up with what’s happening to ourselves and our peers…. Well, you know. You were there.

Remind me, what was that hurt? That big one? Those big ones? I can’t remember the specifics. You know, the hurts that stand up and everything in life seems to whirlpool around them. They don’t even exactly hurt anymore, but the fluidity of yourself flows with the feature of them.

Oh, but those passions! Remember that? The roar of things mattering. You grappling for the handles of the machine, needing to handle it right. And then diving into the details, the assemblage of the thing, the parts that put it together and knowing there was a way, must be a way, needed to be a way, to make it work. Society, life, care-giving, the world. It mattered.

Aaaaahhhhh…. But the desire for death. I hope I’m not rekindling that feeling. It was around that time, wasn’t it? Well, it was not only around that time, but you had a time where it was loudest. Maybe I’m wrong about that? I do know that your desire for death was different than mine, coloured differently, driven differently, but the mood of giving up was the same, I think.

I was somewhere, I don’t know where, when you came to understand your body as political. All of it. Every inch. Inside. Outside. It probably shouldn’t be, but it is. Correct me if I’m wrong but you’re still moving between accepting this political aspect as a challenge to meet, and disregarding the whole thing: you have days where you just are.

I know sometimes you wonder if you are missing something, avoiding something, forgetting something. Sometimes you wonder what you are meant to do.

I know sometimes you know. Sometimes you know everything and nothing.

Have I told you: that’s my story, too.

I am not you, I know that. I promise, I’m not comparing my beginning, middle, and where we’re at now with yours. I’m not trying to discount your story by making it about me.

Yet, it’s true.

That’s my story too. 

                                  

Hugs, smiles, and love!!

Tsara Shelton (X.com)